Sunday, December 26, 2010
Textured Wings
In the final piece, the wings wont be attached like they are now-- I just stuck them on to take a photo. The placement is pretty important to me, so I'm going to spend some time thinking about it.
Tuesday, December 21, 2010
Kid Icarus
Monday, December 6, 2010
Thursday, December 2, 2010
Misc.
Saturday, November 27, 2010
Apple Turkeys
Thursday, November 25, 2010
It's Computer Science Time!
Sculptorbyday's brother blog, "It's Computer Science Time", is having a guest spot today. Although the blog is about computer science, the guest spot is about playing with a butterfly knife. Check out Noah's blog at http://itscstime.blogspot.com/.
Tuesday, November 23, 2010
"Finished" Wax Girl
I have big plans for the Wax Girl, but for now she is finished. Knowing when to stop is always hard for me, but I just can't take any more time trying to get her perfect. I'm getting to a point of diminishing returns, where many hours of work only makes her marginally better. Anyway, I'm actually reasonably happy with how she turned out.
The ruler is there for reference.
Friday, November 19, 2010
These guys are such tools
One of my main goals in having this blog is to share my process in creating individual pieces, as well as my process in attempting to become a skilled sculptor.
I think that the Swiss Army knife might be my most useful tool. You can use the different points for detail work, and the blades for larger areas. It has a rounded corkscrew, a toothpick, two blades and some other things, so a lot of different shapes to use.
The spoon is good for smoothing out wax surfaces. Like the knife it can be heated over a candle.
The wooden tools have great angles on them and are a little softer than the knives.
Wednesday, November 17, 2010
Friday, November 12, 2010
Alabaster Base
Wednesday, November 10, 2010
Tuesday, November 9, 2010
Sunday, November 7, 2010
Friday, November 5, 2010
Wednesday, November 3, 2010
Bird Woman
Waxing and Waning
I have been messing around with wax a bit recently. At first I wanted to make and remake humans figures over and over to get practice, but I've found that its tough to do a project unless it really holds your interest or you are in class somewhere. I finally cut up the 10 pounds of wax into manageable pieces, so I want to start working with that as soon as possible.
Monday, October 25, 2010
Update
I'm still working, I just haven't posted anything for a while because I've been really busy with work, lifting, ballin', friends, gf, family, etc. I'm working on a male figure in wax, because I think that I really need some more practice before I try to make an actual "piece".
One thing that I'm looking forward to is using all 10 pounds of wax from Plaza Art to make one big sculpture.
One thing that I'm looking forward to is using all 10 pounds of wax from Plaza Art to make one big sculpture.
Thursday, October 14, 2010
one last arm
Monday, October 11, 2010
More bionic glove sketches
Sunday, October 10, 2010
Scythe-hands
I've made some more progress on this guy over the past week. Honestly, though, I don't think that I can do much more on him-- its kind of frustrating. I just don't know enough about the human body to make him realistic. My mom gave me her old figure-drawing anatomy books, and my plan is to take figure sculpting at the Torpedo Factory in December.
Friday, October 8, 2010
New Project
Thursday, October 7, 2010
Words!
I’ve put off my work on the Athena sculpture for now. I still want to talk about the power of allusions in sculpture, though. Please read if you have the time/patience.
The ability to convey a concept is one of the most important aspects of art. Art, like literature, is a medium of culture. The mindset of a culture is created by what is passed down through generations, and having a say in this passage is a powerful thing. People can be sometimes be convinced of things through logic, but they take for granted hundreds of seemingly strange or unhappy or illogical things because of their culture.
Although I wouldn't dare to get into a definition of Art itself, I think that a general definition of art deals with its ability to evoke some type of response. Meaning is created in the interaction between the viewer and the work- they call it reader response theory in literature. Sometimes people doubt whether the response that is evoked by a piece of art is one that art is supposed to evoke, like Damien Hirst's cow halves. Often, I think, what a piece intends to evoke is simply beauty, or motion, or something simple like this (abstract art often is in this category).
Some art intends to convey not a concept, but a message. A painting can employ a scene, and therefore an interplay of objects and people, to convey its meaning. Sculpture usually does not have this luxury. Therefore, the use of allusion is all the more important.
Because I see things in terms of literature (if you hadn’t noticed) I will now explicitly state my extended metaphor- literature is like sculpture. A writer could write a paragraph describing a particular situation, or they could write a single sentence alluding to a myth and convey the same meaning. The allusion is even more effective because it engages the reader, and encourages them to both recall the myth and fit it into the present situation. It also makes the story more relatable because it draws off of shared knowledge.
Of course, if you want to say something new you have to do more than just mention a myth; you have modify it. This was the main concern of the Greek playwrights- they told and retold old myths in new ways, focusing on different characters and making up new details in order to convey their message. The concept of cyclical time is important here, where events are only important in how they refer to a mythical past. But that it outside the scope of this post.
Back to sculpture-- sometimes all you have is a single sentence. I believe that the deepest depth of meaning that you can achieve is through allusion to, and modification of, some piece of shared knowledge.
Of course, it would be absurd of me to say that all sculpture has to follow what I have outlined here. This is something that makes sense to me.
The ability to convey a concept is one of the most important aspects of art. Art, like literature, is a medium of culture. The mindset of a culture is created by what is passed down through generations, and having a say in this passage is a powerful thing. People can be sometimes be convinced of things through logic, but they take for granted hundreds of seemingly strange or unhappy or illogical things because of their culture.
Although I wouldn't dare to get into a definition of Art itself, I think that a general definition of art deals with its ability to evoke some type of response. Meaning is created in the interaction between the viewer and the work- they call it reader response theory in literature. Sometimes people doubt whether the response that is evoked by a piece of art is one that art is supposed to evoke, like Damien Hirst's cow halves. Often, I think, what a piece intends to evoke is simply beauty, or motion, or something simple like this (abstract art often is in this category).
Some art intends to convey not a concept, but a message. A painting can employ a scene, and therefore an interplay of objects and people, to convey its meaning. Sculpture usually does not have this luxury. Therefore, the use of allusion is all the more important.
Because I see things in terms of literature (if you hadn’t noticed) I will now explicitly state my extended metaphor- literature is like sculpture. A writer could write a paragraph describing a particular situation, or they could write a single sentence alluding to a myth and convey the same meaning. The allusion is even more effective because it engages the reader, and encourages them to both recall the myth and fit it into the present situation. It also makes the story more relatable because it draws off of shared knowledge.
Of course, if you want to say something new you have to do more than just mention a myth; you have modify it. This was the main concern of the Greek playwrights- they told and retold old myths in new ways, focusing on different characters and making up new details in order to convey their message. The concept of cyclical time is important here, where events are only important in how they refer to a mythical past. But that it outside the scope of this post.
Back to sculpture-- sometimes all you have is a single sentence. I believe that the deepest depth of meaning that you can achieve is through allusion to, and modification of, some piece of shared knowledge.
Of course, it would be absurd of me to say that all sculpture has to follow what I have outlined here. This is something that makes sense to me.
Tuesday, October 5, 2010
air drying clay
Air drying clay is difficult to use for things like this. You can't use armatures, apparently, because the clay shrinks as it dries. Otherwise, I like it- it feels like real clay more or less. Anyway, you have to spend half your time keeping the thing supported and worrying about putting too much pressure on it. I'm planning on going back to extra firm sculpey for the next piece.
Monday, October 4, 2010
Wax
I think that this has been the longest between posts so far. I am still making things though- I've just been busy.
Here is a new wax figure. My girlfriend graciously modeled for me. Its not done yet- she will have a face, hands, feet, and hair at some point. I will also do some more work to refine her body (the sculpture, not the gf). Hope you guys like it.
Sunday, September 26, 2010
Wax
I bought a pound of wax the other day. It might be my favorite medium, although porcelain is up there. If anyone wants to buy me the 10 pound block from Plaza Art, I would not refuse (its $90).
I think that it is serendipitous that wax is perhaps my favorite medium to work with, and one of my goals as a sculptor is to someday have a piece cast in bronze.
Thursday, September 23, 2010
Gorilla Glue Casting
Wednesday, September 22, 2010
Some words
Right now I am working on a few projects, but I feel like posting some words instead of pictures. I'm doing a glue-casting of Day 60 that is coming along nicely. I'm thinking about the logistics of large backyard wire sculpture. I'm also thinking about/experimenting with my own interpretation of the goddess Athena.
I've always tried to keep the posts on this blog short- I know that no one wants to sift through paragraphs of text. I took a whole class on writing for the web at CNU, actually. However, I am planning on posting a few paragraphs on the use of mythic allusions in sculpture. Hopefully it will be at least marginally interesting.
Thanks for checking the blog- it really helps to know that people are seeing what I make. And thank you, internet, for letting me share my work with people who live anywhere from a few hours away, to halfway across the world. Pretty neat.
I've always tried to keep the posts on this blog short- I know that no one wants to sift through paragraphs of text. I took a whole class on writing for the web at CNU, actually. However, I am planning on posting a few paragraphs on the use of mythic allusions in sculpture. Hopefully it will be at least marginally interesting.
Thanks for checking the blog- it really helps to know that people are seeing what I make. And thank you, internet, for letting me share my work with people who live anywhere from a few hours away, to halfway across the world. Pretty neat.
Monday, September 20, 2010
Thursday, September 16, 2010
Sprinter
Monday, September 13, 2010
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